In announcing the acquisition in a January 1939 press release, Barr wrote, "Picassos Demoiselles d'Avignon is one of the very few paintings in the history of modern art which can justly be called epoch-making. In 1937, MoMA acquired Picasso's little-known painting Demoiselles d'Avignon and first exhibited it in 1939 with the opening of its new building. While the permanent collection did not really ever resemble a revolving door, Barr was dedicated to using the museum as a laboratory to educate and engage the viewers, bringing modern art to a wider audience. In that sense, "a museum for modern art" seemed to be an oxymoron.
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